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About--Basic knowledge of power amplifiers
The working principle of the power amplifier is actually very simple. Intuitively, it amplifies various sound signals played by the audio source to push the speaker to produce sound. From a technical point of view, a power amplifier is like a current modulator. It converts alternating current into direct current, and then is controlled by the sound signal played by the audio source. It transmits currents of different sizes to the speakers at different frequencies, so that the speakers emit corresponding amounts of electricity. , the sound of the corresponding frequency.
When the volume is low, the sound is weak, thin, unable to come out dynamically, dull, with a significant lack of low frequency and poor fullness, and the sound seems to be shrunk inside and unable to come out. When the volume is appropriate, the sound will be natural, clear, mellow, soft, full, powerful, and dynamic. But when the volume is too high, the sound is stiff, not soft, rough, and feels piercing the roots of the ears.
Fixed resistance amplifier:
It is required that the rated output impedance of the power amplifier should be consistent with the rated impedance of the speaker. At this time, the power amplifier is in a better designed load line state, so it can provide greater undistorted power. If the rated impedance of the speaker is greater than the rated output impedance of the power amplifier, the actual output power of the power amplifier will be less than the rated output power. If the rated impedance of the speaker is less than the rated output impedance of the power amplifier, the sound system can work, but the power amplifier is in danger of overloading, which requires the power amplifier to have complete overcurrent protection measures to solve the problem. For tube power amplifiers, the impedance matching requirements are more stringent.
Constant voltage power amplifier:
The most important feature of the broadcast power amplifier is that it has 70V and 100V constant voltage output terminals. This is because broadcast lines are usually quite long and require high-voltage transmission to reduce line losses. The most important indicator of a broadcast amplifier is its rated output power. How much rated output power should be selected depends on the total power of the broadcast loudspeaker. For broadcast systems, as long as the total power of the broadcast speakers is less than or equal to the rated power of the power amplifier and the voltage parameters are the same, they can be connected at will. However, considering factors such as line loss and aging, an appropriate power margin should be left. If it is a background music system, the rated output power of the broadcast amplifier should be about 1.3 times the total power of the broadcast speaker.
In the above system, all connected are constant-voltage power amplifiers. Due to the need for remote transmission, in order to avoid line losses during the transmission process, after the audio signal is amplified by the power amplifier tube, it must first be boosted by a transformer to make it High-voltage and low-current signals are transmitted in the line. When the signal reaches the terminal, it is first step-down and impedance matched by the audio transformer, and then the signal is fed to the speaker to drive it. Therefore, the constant-voltage power amplifier is suitable for long-distance transmission. At the same time, the speakers can be connected arbitrarily through the audio transformer. Unlike the fixed-impedance power amplifier, which requires strict impedance matching calculations to be connected to the speakers, otherwise the power amplifier or speaker will be damaged. In the constant-voltage system, only the speaker is required. The total power does not exceed 90% of the rated power of the amplifier
The bias of the Class-B amplifier causes the push-pull transistor (or tube) to be in a low current state when there is no drive signal. When the drive signal is applied, the current of one of the tubes in the pair will increase within half a cycle. rises, while the other tube tends to cut off, and in the other half cycle, the situation is opposite. Since the two tubes work in turns, a push-pull circuit must be used to maximize the complete signal waveform. The advantage of Class B amplifiers is higher efficiency, which can theoretically reach 78%, but the disadvantage is greater distortion.
When the Class A and B (Cass-AB) amplifier is driven at a low level, the amplifier operates as Class A, and when the drive level is increased, it switches to Class B operation. The advantage of Class A and B amplifiers is that it improves the efficiency of small signal input compared to Class A. As the output power increases, the efficiency increases. Although the distortion is larger than Class A, it is still the most widely used transistor power amplifier program. The trend is to increasingly use high bias current Class A and B to reduce the distortion of low-level signals.
How is the tone of the tube amplifier formed? Many enthusiasts like the sound of tube amps (also called vacuum tube amplifiers): warm and mellow, not unpleasant, not shocking, and soothing. People call this taste the smell of bile. The author has been playing with tube amps for decades and has
What is stereo audio? What is the difference between mono and surround sound?Stereo audio has been the dominant format for analog or digital audio in the music industry for decades. It's a relatively simple format that does a good job of simulating the way we naturally hear the world around us, and
合并式胆机还需要再加一个前级吗?很多烧友都有这样的疑问。这里有三个因素,一是音源输出的讯号是否大?很多外国CD机输出讯号偏小,加台前级可以放大讯号。二是音箱的灵敏度,灵敏度在90dB以下的音箱,加台前级,声音的表现会更好。三是胆机的放大量,增益30dB的标准合并式胆机,对输入讯号的放大量约15倍左右。而增益为20dB的合并式胆机,放大量约10倍,略显不足,动态会有欠缺。如果你对声音有很高的要求,最好再添一台前级做配套,将合并功放作为后级用。前级可以增10倍放大量,两台机加起来增益可达40dB。这时候,后级会推得更轻松、声音密度高、细节丰富、瞬态更强,音响系统的表现就非常完美了。
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